Direkt zum Hauptbereich

Fotogalerie

16.02.2019
PREISVERLEIHUNG K+


15.02.2019
LOVE...


PREISVERLEIHUNG 14+




14.02.2019
BULBUL CAN SING

ESPERO TUA (RE)VOLTA

KURZFILME 2 14+


13.02.2019
GUO CHUN TIAN

THE MAGIC LIFE OF V


12.02.2019
HÖLMÖ NUORI SYDÄN


11.02.2019
THE RED PHALLUS

2040


10.02.2019
DRIVEWAYS

GOLDIE

BY THE NAME OF TANIA


09.02.2019
KNIVES AND SKIN

THE BODY REMEMBERS WHEN THE WORLD BROKE OPEN

WHERE WE BELONG

MIJN BIJZONDER RARE WEEK MET TESS

ANBESSA


08.02.2019
K+ Eröffnung - CLEO


14+ Eröffnung - WE ARE LITTLE ZOMBIES


07.02.2019
Berlinale-Beginn


Kommentare

Beliebte Posts aus diesem Blog

The Last Stop

A review of Jong chak yeok Four young schoolgirls who are part of a photography club are given the task of taking a photo of the end of the world with old-fashioned cameras over their summer vacation. They come up with the idea to drive to the end of a train line to take the photos there. But the trip turns out differently than planned, as the end of the train line doesn't really look like the end of the world. Thus, their trip extends throughout the day, and the four friends wander through rural Korea - laughing, persistent, and inquisitive. Jong chak yeok is one of those kinds of films that - festival goers and skilled strays of the film landscape aside - most people are unaware of. Films with no real structure, no certain points in character development to check off, no real goal - a film that simply tells a story of life. Here, unlike other representatives of this type of films, still equipped with a certain principle, a supposed end point, the film shuttles along, managing to...

“Once you leave you can never go back to who you were as a child” - Im Gespräch mit der Regisseurin Venice Atienza von “Last Days At Sea”

Am Mittwochvormittag durfte ich mit der philippinischen Regisseurin Venice Atienza über Zoom sprechen, deren Dokumentarfilm “Last Days at Sea” im diesjährigen Berlinaleprogramm gezeigt wird. Es entspann sich ein inspirierendes Gespräch über ihre empatische Art, Filme zu drehen und was es heißt, sich auf der Leinwand als Regisseurin vulnerabel zu zeigen. fGR: Would you like to introduce yourself shortly? My name is Venice Atienza. I initially studied cinema, but before that I actually wanted to be a chef. One day, when I was 16 or 17 years old, I was watching a Korean drama and I asked my mother: “What job makes people feel things?” and she replied by asking me “Why don’t you become a film maker?”. After applying for the second time I finally got into film school. I really always knew I wanted to make documentaries but did not know how. A friend of mine then told me about the project Doc Nomads which I got accepted at. That was the first time I saw a bit more experimental documenta...

In Between Hazards and Happiness

A comment on Ensilumi. Fairytale summer days, children's laughter, a happy and ideal world. In Ensilumi, the idyll of summer and a family that loves each other dearly are confronted with reality, which inevitably and threateningly announces itself. Ramin's family lives in a very small space, in a one-room apartment - close together with other refugee families. It is only a temporary shelter which they stay at in hope to be granted permanent asylum in Finland. The parents are full of love for their children and try everything to make the situation as comfortable as possible for them. They try to shield them from the worries of impending deportation. But in just one room, this is not always easy. Even the bathroom is only separated from the living area by a small curtain and is the only place for any intimate questions within the family’s home, for example when it comes to impressing girls. Friends from other refugee families come by all the time and are happy to stay for a small...